EXCERPTS FROM AN ARTICLE IN THE AGE JAN 13
The AGE had a long and chatty article on a fascinating newly discovered art site. It is far too long to copy here, but I do recommend that you read it on line – The Age
Or you can contact me (Margo) and I can send it to you. It is the need to protect valuable sites like this one that makes it so important to educate rock climbers, and where necessary ban some sites.
‘Now the legendary bunyip has been found – or ancient rock drawings of it at least – in a shallow cave atop a cliff in the Mt Difficult Range. Four bunyips, to be precise, lurking in a sandstone shelter on an outcrop that commands sweeping views of the plains of north-western Victoria.
It was a find that would shine new light on an age-old story – that of a cosmic struggle between creator spirit and his monstrous enemy – purport to explain why mother- and son-in-laws should never mix and forever change the way you see a double rainbow.
The rock art was found in the Mt Difficult Range and tells a story which links the cave to two other sites which can be seen from the clifftop.
It was in May 27, 2016 that park ranger Kyle Hewitt – marking a new track that will form part of the Grampians Peaks Trail – entered the sandstone shelter and brought its bunyips back from oblivion.
Since then the rediscovery has been kept secret. Only a handful of traditional owners, park rangers and archaeologists have been allowed to enter the cave.
Even now, its exact location cannot be revealed.
The cave was the latest and most significant of about 40 rock-art sites to be rediscovered in the last seven years in the Grampians – or Gariwerd as they are called by the people whose ancestors drew those bunyip.
That has taken the tally of rock-art sites in Gariwerd to about 140 – or 90 per cent of all the known such sites in Victoria.
Jake Goodes began his life as a park ranger in Gariwerd hunting goats. Now, 15 years later, he hunts rock art. As Parks Victoria’s Aboriginal Heritage co-ordinator for western Victoria and, at 36, an archaeologist in training, Mr Goodes was among the group that first recorded the bunyip cave.
Goats are one of the primary threats to these ochre bunyips, as they are to all Gariwerd’s rock art. Like people, goats are drawn to these shelters, and like to scratch their coarse and oily hides against the sandstone.
On the hike to the bunyip cave, Mr Goodes points out signs that indicate the bunyips survived another close encounter. It’s there in the blackened stringybark trunks, the thick regrowth of leaves, the fields of white everlasting daisies.
“Fire has the potential to destroy the whole site,” he says.
“It heats the air within the rock and then it pops the rock like popcorn.”
“But people are the ones who do the most damage to any site,” Mr Goodes says. “Which is unfortunate. The rock art of the Grampians is rich in symbols, some of which are found nowhere else and much of which has meanings yet to be relearned.”
The article goes on to tell a story about Bunjil, who is depicted in Bunjil’s cave not far from Stawell. Mr Goodes calls this tale a lore story. Its survival too, is a small miracle. It came to him by way of research done by historian Ian Clarke, who dug up a newspaper article published in 1925 by a reverend, who was told the story by an Aboriginal source he refers to only as “a woman from the Wimmera”.
(Remember that Ian Clarke told us about this in a talk last year.)